Every film is an illusion, a brilliant phantasmagoria of sights flickering across a screen at twenty-four frames a second (forty-eight, if you’re Peter Jackson and want to annoy us). Most directors are content to dazzle …
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Every film is an illusion, a brilliant phantasmagoria of sights flickering across a screen at twenty-four frames a second (forty-eight, if you’re Peter Jackson and want to annoy us). Most directors are content to dazzle …